This work is in the public domain in the United States because it was published (or registered with the U.S. Élisabeth Vigée Le Brun, aussi appelée Élisabeth Vigée, Élisabeth Le Brun ou Élisabeth Lebrun, née Louise-Élisabeth Vigée le 16 avril 1755 à Paris, et morte dans la même ville le 30 mars 1842, est une artiste peintre française, considérée comme une grande portraitiste de son temps.. Elle a été comparée à Quentin de La Tour ou Jean-Baptiste Greuze [1]. 1792). Luc, and was installed as a member in 1774. Feb 27, 2016 - This exhibition features the work of Elisabeth Louise Vigée Le Brun, one of the finest 18th-century French painters and among the most important of all women artists. [19][22] The painting represents the Cumaean Sibyl, as indicated by the Greek inscription on the figure's scroll, which is taken from Virgil's fourth Eclogue. She stayed at Coppet with Madame de Staël, who appears as the title character in Corinne, ou l'Italie (1807). É lisabeth-Louise Vigée Le Brun (Fig. "[6] Vigée Le Brun also painted allegorical portraits of the notorious Emma Hamilton as Ariadne (1790) and as a Bacchante (ca. [4] In addition to many works in private collections, her paintings are owned by major museums, such as the Louvre, Hermitage Museum, National Gallery in London, Metropolitan Museum of Art in New York, and many other collections in continental Europe and the United States. [21] It is mentioned in her memoir more than any other work. Alternative Titles: Élisabeth Vigée-Le Brun, Marie-Louise-Élisabeth Vigée-Le Brun, Marie-Louise-Élisabeth Vigée-Lebrun. Return to the more naturalistic ideals that appeared in the Renaissance ; Elisabeth is shown in a natural active position ; Function: Self Portrait . Her tombstone epitaph says "Ici, enfin, je repose..." (Here, at last, I rest...). Find more prominent pieces of self-portrait at Wikiart.org – best visual art database. [14] Vigée Le Brun's later Marie-Antoinette and her Children (1787) was evidently an attempt to improve the queen's image by making her more relatable to the public, in the hopes of countering the bad press and negative judgments that the queen had recently received. [7] After her studio was seized for her practicing without a license, she applied to the Académie de Saint-Luc, which unwittingly exhibited her works in their Salon. [24] The portraits depict the Liechtenstein sisters-in-law in unornamented Roman-inspired garments that show the influence of Neoclassicism, and which may have been a reference to the virtuous republican Roman matron Cornelia, mother of the Gracchi. In 1776 her family rented apartments at the home of artist and art dealer Jean-Baptiste LeBrun. She is associated with the mixture of Rococo and Neoclassical style during the late 18 th century. Élisabeth-Louise Vigée Le Brun (Paris 1755-1842) Portrait of Madame du Barry (1743-1793), three-quarter-length, seated in a landscape Details. In the episode "The Portrait" from the BBC series Let Them Eat Cake (1999), written by Peter Learmouth and starring Dawn French and Jennifer Saunders, Madame Vigée Le Brun (Maggie Steed) paints a portrait of the Comtesse de Vache (Jennifer Saunders) weeping over a dead canary. Élisabeth Louise Vigée Le Brun (16 April 1755—30 March 1842), also known as Madame Lebrun or Madame Le Brun, was a prominent French portrait painter of the late eighteenth century. Provenance. Source Obelisk. [21], After a sustained campaign by her ex-husband and other family members to have her name removed from the list of counter-revolutionary émigrés, Vigée Le Brun was finally able to return to France in January 1802. Born in Paris on 16 April 1755, Élisabeth Louise Vigée was the daughter of Jeanne (née Maissin) (1728–1800), a hairdresser,[1] and portraitist and fan painter Louis Vigée, from whom she received her first instruction. The first major international retrospective exhibition of her art premiered at the Galeries nationales du Grand Palais in Paris (2015—2016) and was subsequently shown at the Metropolitan Museum of Art in New York City (2016) and the National Gallery of Canada in Ottawa (2016).[28][29]. The court gossip-sheet Mémoires secrets commented: "An affectation which artists, art-lovers and persons of taste have been united in condemning, and which finds no precedent among the Ancients, is that in smiling, [Madame Vigée LeBrun] shows her teeth. Jan 3, 2017 - Explore Tatiana Dokuchic's board "Vigée Le Brun", followed by 447 people on Pinterest. French Neoclassical Painter. Vigée Le Brun was admitted to the Académie Royale by royal intervention on May 31, 1783. Vigée Le Brun created a name for herself in Ancien Régime society by serving as the portrait painter to Marie Antoinette. When her studio was siezed for practicing without a license, she applied at the Academie de Ste. [19][21] She displayed it while in Venice (1792), Vienna (1792), Dresden (1794), and Saint Petersburg (1795); she also sent it to be shown at the Salon of 1798. Vigée Le Brun painted portraits of many of the nobility. Elisabeth Vigée Le Brun, the daughter of a minor painter, Louis Vigée, was born and brought up in Paris. März 2017, Liste der 999 Frauen des Heritage Floor/Artemisia Gentileschi, Wikipedia:WikiProject Women in Red/Members, User:Jane023/Paintings in the book Women Painters of the World, User:Jane023/Self-portraits of women in the Uffizi, User:Jane023/Self-portraits in the Uffizi, List of self-portraits in the Uffizi Gallery, Wikipedia:WikiProject Women in Red/Paintings, User:Jane023/Paintings by Élisabeth Vigée-Lebrun, User:EponineBunnyKickQueen/WikiProjectCards/WikiProject Women in Red, Wikiproyecto:Mujeres/Artículos faltantes/Pinturas y cuadros, Utilisateur:Jane023/Autoportraits de femmes, Liste de tableaux d'Élisabeth Vigée Le Brun, https://commons.wikimedia.org/w/index.php?title=File:Lebrun,_Self-portrait.jpg&oldid=354306151, Self-portrait executing a portrait of Marie Antoinette (Elisabeth Vigée-Lebrun), Artworks with accession number from Wikidata, Creative Commons Attribution-ShareAlike License. Find the perfect louise elisabeth vigee le brun 1755 1842 france french stock photo. [21], While in Italy, Vigée Le Brun was elected to the Academy in Parma (1789) and the Accademia di San Luca in Rome (1790). File:Elisabeth Vigée-Lebrun - Self-Portrait - WGA25086.jpg File:L'artiste exécutant un portrait de la reine Marie-Antoinette - 1770 - Elisabeth Louise Viguée Le Brun.jpg File:Lebrun, Self-portrait.jpg (138.4 x 99 cm.) [1] In 1760, at the age of five, she entered a convent, where she remained until 1766. [6][22] Like her reception piece, Peace Bringing Back Abundance (1783), Vigée Le Brun regarded her Sibyl as a history painting, the most elevated category in the Académie's hierarchy. [6][20][21] In her 12-year absence from France, she lived and worked in Italy (1789–1792), Austria (1792–1795), Russia (1795–1801), and Germany (1801). She died in Paris on 30 March 1842, aged 86. [citation needed], Vigée Le Brun is one of only three characters in Joel Gross's Marie Antoinette: The Color of Flesh (premiered in 2007), a fictionalized historical drama about a love triangle set against the backdrop of the French Revolution. 2017 - Découvrez le tableau "Vigée-Le-Brun" de A.Robespierre sur Pinterest. It lives at the Uffizi Gallery in Italy. Content: Self Portrait . 100 cm 81 cm. [8], On 12 February 1780, Vigée-Le Brun gave birth to a daughter, Jeanne Lucie Louise, whom she called Julie and nicknamed "Brunette. 25 1/2x21 1/4in. Élisabeth-Louise Vigée-Le Brun (April 16, 1755 - March 30, 1842) was a French painter, and is recognized as the most famous woman painter of the eighteenth century. [1] Her father died when she was 12 years old. [7] Her husband's great-great-uncle was Charles Le Brun, the first director of the French Academy under Louis XIV. [2] Her subject matter and color palette can be classified as Rococo, but her style is aligned with the emergence of Neoclassicism. He and Elisabeth were married the same year. Élisabeth Louise Vigée-LeBrun, Self-Portrait, 1790, oil on canvas, 100 x 81 cm (Galleria degli Uffizi, Florence) While other self-portraits by Vigée Le Brun show her wearing fashionable but modest dress (see for example her self-portrait from 1790), this garment exposes one shoulder and the upper chest area of her body. [23], While in Vienna, Vigée Le Brun was commissioned to paint Princess Maria Josefa Hermengilde von Esterhazy as Ariadne (1793) and its pendant Princess Karoline von Liechtenstein as Iris (1793). By the age of 15, she was already developing herself as an artist, receiving encouragement from painters such as Joseph Vernet. In the collection of the Musée Condé, Chantilly. Artists Artwork Timeline World Map Essays on Art. [11], In 1787, she caused a minor public scandal when her Self-Portrait with Her Daughter Julie (1787) was exhibited at the Salon of 1787 showing her smiling and open-mouthed, which was in direct contravention of traditional painting conventions going back to antiquity. Her father was a successful artist who encouraged her interest in art. 5 juil. She created more than 600 portraits, a considerable proportion of her total oeuvre of 800 paintings. From Wikimedia Commons, the free media repository, Add a one-line explanation of what this file represents, medium QS:P186,Q296955;P186,Q12321255,P518,Q861259, dimensions QS:P2048,100U174728;P2049,81U174728. Konig in Untersee . Elisabeth Louise Vigée Le Brun (b.1755), Self-Portrait, c. 1781. [25] Although the French aesthetic was widely admired in Russia,[26] there remained various cultural differences as to what was deemed acceptable. Elisabeth-Louise Vigée Le Brun (Paris 1755-1842) Portrait of Emma Hart, later Lady Hamilton (1765-1815), as the Cumaen Sibyl Details. Oil on canvas. (1,610 × 2,074 pixels, file size: 537 KB, MIME type: Marie Louise Élisabeth Vigée-Lebrun; Vigée-Le Brun; Élisabeth-Louise Vigée-Le Brun, https://creativecommons.org/publicdomain/mark/1.0/. Between 1789 and 1805 she travelled in Europe and visited Russia. [23] The Sibyl was Vigée Le Brun's favorite painting. Lady Hamilton was similarly the model for Vigée Le Brun's Sibyl (1792), which was inspired by the painted sibyls of Domenichino. Movement: Rococo . Find out more > Buy a print; Use this image; Elisabeth-Louise Vigée-Le Brun. Elisabeth-Louise Vigée Le Brun (1755–1842) was one of the most successful portraitists of 18th century France, gaining renown in particular for her self-portraits and depictions of courtly women that included Queen Marie Antoinette. She became a member of the Académie de St-Luc in 1774 and of the French Academy in 1783. No need to register, buy now! All structured data from the file and property namespaces is available under the. [19] As a consequence, the Académie did not place her work within a standard category of painting—either history or portraiture. Contains Elisabeth Louise Vigee Le Brun who painted herself. In Florence, Vigée Le Brun admired the famous collection of artists’ self-portraits in the Corridoio Vasariano at the Uffizi. by Dudley H. Pratt, after Elisabeth-Louise Vigée-Le Brun mezzotint, (1791-1792) NPG D35245. [7] She painted more than 30 portraits of the queen and her family,[7] leading to the common perception that she was the official portraitist of Marie Antoinette. She enjoyed the patronage of European aristocrats, actors, and writers, and was elected to art academies in ten cities.[3]. [16] The child on the right is pointing to an empty cradle, which signified her recent loss of a child, further emphasizing Marie-Antoinette's role as a mother. [5], By the time she was in her early teens, Élisabeth was painting portraits professionally. On 31 May 1793, Elisabeth Vigée-Le Brun, the Queen’s protégée, was received into the Académie Royale de Peinture et de Sculpture along with her rival, Adélaïde Labille-Guiard.In the same year, she exhibited for the first time in the Salon.

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